Guest Profile  · Agency Leadership · Cultural Impact

Great Ideas Come From Anywhere

Jennifer Berry has built and rebuilt agency teams across three continents. An Australian who started out in London in 1999, she spent twelve years at Razorfish in New York before moving back to London in 2023 to run Digitas UK as CEO, where she rallied 450 people around a single idea and rebuilt the agency from the leadership down. In 2025 she joined the LEGO Group to head its in-house agency for commerce and digital. Her leadership rests on a few firm beliefs: that great ideas can come from anywhere in an organisation, that everything ultimately serves human needs, and that impact has to be measured in culture as much as in commerce.

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The Business of Marketing Season 1 ·  Episode 12  · 31 min

I think our role is simplifying the complex.

Jennifer Berry is VP, Head of Our LEGO Agency, Commerce + Digital at the LEGO Group, a role she took on in July 2025 after two and a half years as CEO of Digitas UK. An Australian-born digital leader who has spent two decades building, scaling, and transforming agency teams across Sydney, New York, and London, she brings a restless curiosity and a conviction that great ideas can come from anywhere in an organisation.

Jennifer started her career in London in 1999, working on the global clients team at KPMG, where she helped launch their first SharePoint collaboration platform. Returning to Australia, she worked client-side in financial services and became obsessed with the measurability of search and the creative potential of digital. That passion led her to Amnesia Razorfish in Sydney, then the hottest creative shop in the city, before she made the move to New York with Razorfish, where she spent twelve years rising to become northeast regional lead overseeing the New York, Boston, and Toronto offices.

In January 2023, Jennifer moved to London to take over as CEO of Digitas UK, a 450-person agency within Publicis Groupe spanning strategy, media, data, creative, and technology. She sat down with nearly all 400 team members one-on-one to understand the business, then rallied the agency around a single North Star: harnessing the power of connection to create positive impact every day. She restructured the leadership team, appointing a new chief creative officer from outside the market, elevating the chief data officer and chief talent officer, and bringing in a new COO to drive an integrated delivery model designed to break down silos across the agency's diverse skill sets.

Under her leadership, Digitas UK deepened longstanding client relationships including a twenty-year partnership with Formula One, building out their platform, technology, and fan experience, as well as work on the F1 Academy to bring more women into motorsport. The agency delivered the EE brand relaunch, created the gaming-driven Capture the Store campaign, launched a first-ever direct-to-consumer e-commerce platform for an automotive client, and built H&M's first digital shelf, connecting SEO, commerce, and data to predict trends for the retailer's business strategy team.

Jennifer is a champion of entry-level talent and diversity in the industry, establishing Digitas Next, a portfolio of partnerships with Multiverse (apprenticeships), Generation (career transition bootcamps), and Next Tech Girls (introducing young women to careers in technology). She created the Future Ready Board, a rotating group of twelve people from across the agency who bring ideas and values to the executive team. She is also an advisor to The Women's Association and a member of WACL (Women in Advertising and Communications Leadership).

27 years
2025–Now
the LEGO Group · VP, Head of Our LEGO Agency, leading commerce and digital
2023–2024
Digitas UK · CEO
Led the 450-person Publicis agency, rebuilding the leadership team and operating model.
2011–2022
Razorfish
Twelve years in New York, rising from Client Partner to Executive Vice President and Northeast Region Lead across the New York, Boston and Toronto offices.
2007–2011
Amnesia Razorfish · Joined Sydney's leading creative shop, progressing to Business Unit Director
2002–2007
Sydney media and consumer brands
Marketing, PR and account roles at Ninemsn, Carnival and Blackmores, where she first turned to digital.
1999–2001
KPMG UK
Began her career in London on the global clients team, helping launch the firm's first collaboration platform.
450 People she led at Digitas UK
12 Years at Razorfish in New York
20 Years of the Digitas and Formula One partnership

Being really comfortable not always having the answers, that's what I've learned.

How Jennifer thinks 04 convictions
01 All roads lead to humans

I like to say all roads lead to humans. And that means, how do we create a model that allows our talent and then our clients to be at the centre of everything we do. And I think, interestingly, we have infinite potential because of all the skill sets, but that means that we can bring different people to the table when we're solving problems for our clients.

Jennifer sums up her operating model in a phrase: all roads lead to humans. A digital agency holds an unusual breadth of skills, strategy, media, data, creative and technology, and the temptation is to organise around those departments. She organises around people instead, putting both her own talent and the client at the centre and pulling the right specialists to the table for each problem. The breadth, in her view, is what gives the agency infinite potential, but only if it is convened around a human need rather than a functional silo. Structure, for her, follows the problem and the people, not the org chart.

02 A thousand girls, one brief

Part of that partnership is these workshops with up to a thousand girls, where we look at a client brief. And for one of our clients, we actually went in with a specific brief around gaming. And after the day, we realised that the insight was not the insight that we should be pushing on.

One of Jennifer's proudest mechanisms is also one of the least obvious. Through the Next Tech Girls programme, Digitas ran workshops with up to a thousand young women, handing them a real client brief. On one gaming brief, the girls' response showed the agency that the insight it had planned to build on was the wrong one. The work was redirected toward school-age children and their parents in a way the team had not seen, and a social-impact programme quietly produced commercial value. It is, for her, proof that widening the room changes the answer, and that the next generation is a source of insight, not just goodwill.

03 The digital twin stays behind

Our creative tech director is going on parental leave for three months and he basically left his digital twin for us so that we can ask questions while he's out. How awesome is that?

Jennifer is relaxed about AI because it had been running quietly in her media, data and technology teams for years before anyone called it a revolution. What interests her now is the grassroots use, the small, practical applications her people invent for themselves. Her favourite example: a creative technology director, heading off for three months of parental leave, built a digital twin of himself so the team could keep asking him questions while he was away. The formal AI labs matter, but moments like that, she argues, are where adoption actually takes root. The technology becomes useful when individuals reach for it without being told to.

04 Impact is the output

When we talk about impact, we talk about commercial, but we also talk about cultural. And what that means is that we have a process where we actually start at the end upfront, and we co-create what that vision is and then what that measurement needs to be.

For Jennifer, the product of the agency is not a campaign but impact, and impact has two halves: commercial and cultural. Her teams begin at the end, co-creating with the client both the outcome they want and the way it will be measured, rather than fitting metrics to finished work. She describes pitching a client who asked for a brand experience and an app; instead of taking the order, the agency asked what they were actually trying to achieve, ran the analysis, and arrived independently at the same incremental revenue figure the client's own analysts had. That, she says, changes the conversation, and puts both sides' skin in the game. Cultural impact she is careful to separate from purpose: it means being relevant, of the moment and legitimate to consumers, and bringing them real value.

Hear Jennifer on
The Business of Marketing
Season 1 Episode 12 31 min